Casamento Mario e Sabrina

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Dicas de Fotografia - Fotos em Shows

A Guest Post by Guy Prives . A fotografia em shows é um dos campos mais desafiadores no mundo da fotografia , ao contrário de fotos programadas , neste tipo de fotografia não temos controle de praticamente qualquer parâmetro na imagem. Nós não podemos dirigir o objeto a ser fotografado , não temos controle sobre a iluminação, que está em constante mudança , e não temos acesso a qualquer ângulo. Assim não podemos esquecer que existem pessoas que nos rodeiam que pagaram um bom dinheiro para desfrutar do show e eles não se importam se estão em nosso frame . Muitas vezes também estamos limitados a um certo tempo ou quantidade de músicas em que nos é permitido tirar fotos. Parece missão impossível? Apesar de ...

25 Fotos Clássicas de Crianças para te inspirar.

Image Source: The Library of Congress Image Source: The Library of Congress Image Source: Power House Museum Collection Image Source: The Library of Congress Image Source: George Eastman House Image Source: Nationaal Archief Image Source: George Eastman House Image Source: State Library of NSW Collection Image Source: George Eastman House Image Source: Powerhouse Museum Collection Image Source: Nationaal Archief Image Source: State Library of NSW Collection Image Source: Powerhouse Museum Collection Image Collection: National Media Museum Image Source: Musée McCord Museum Image Source: State Library of NSW Collection Image Source: Library of Congress Image Source: George Eastman House Image Source: Oregan State University Archives Image Source: Nationaal Archief Image Source: Powerhouse Museum Collection Image Source: National Library of Wales Image Source: State Library and Archives of Florida Image Source: The National Library of Wales Image Source: The L...

Aprenda a pensar e compor como um pintor

A Guest Post by Nick Fleming Many years ago I met a well known English artist while I was travelling through Northern India. We happened to be staying at the same hotel, one of those rather agreeable converted palaces. Each day he went out with his watercolours, easel, portable chair and sizable sketch books, as he used to say, ‘to seek inspiration and watch the world go by.’ One late afternoon I saw him, brush in hand, stooped over his easel and decided to see how he was getting on. He was well on his way to finishing his scene but as I looked from his picture to the view, and back again, I instantly noticed how different they were. What he had done was to omit a lot of detail and add some of his own. He explained to me that he rarely painted exactly what was in front of him. ‘I go for simplicity, he said. ‘ I paint what I think my picture needs, what makes it work, not necessarily what I see.’ ‘It is of course a representation, I am distilling the scene but I like to fill it wi...

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